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Fantasy 3 in 5 Parts

Marshall, Steve

5 AATTB. This piece is largely built on the phrase which starts it off. It may be worthwhile spending some time on getting the phrase right on all instruments, as it is rather tricky to play smoothly and gently, especially on the tenors where it rises to a top A. Groups who have played my five-part Fantasies 1 and 2 will find that this one is slightly more of a challenge, technically and musically.

5 AATTB. This piece is largely built on the phrase which starts it off. It may be worthwhile spending some time on getting the phrase right on all instruments, as it is rather tricky to play smoothly and gently, especially on the tenors where it rises to a top A. Groups who have played my five-part Fantasies 1 and 2 will find that this one is slightly more of a challenge, technically and musically.

Price: £8.00

Qty:

Ref: MHE30307

Fantasy 4 in 5 Parts

Marshall, Steve

5 AATTB. This Fantasy doesn't look too hard on paper, but the large number of accidentals and (important) quaver rests may mean that quite a lot of work is needed to get it right. It is also about 7 minutes long, so groups will need stamina and concentration!

5 AATTB. This Fantasy doesn't look too hard on paper, but the large number of accidentals and (important) quaver rests may mean that quite a lot of work is needed to get it right. It is also about 7 minutes long, so groups will need stamina and concentration!

Price: £10.00

Qty:

Ref: MHE50108

Fantasy 5 in 5 Parts

Marshall, Steve

5 AATTB. This fifth TrTrTTB Fantasy is quite unlike the first four. It has a perky - even jolly! - first theme, which is squarely in Gmajor. It also has that crotchet-quaver-quaver rhythm typical of canzons. Admittedly it later moves into darker and misterioso Gminor territory, but it manages to pull itself together for a rather upbeat ending. There are no jazzy rhythms (not even a single crotchet triplet), and so I think that most players will find it easier than most of Steve'swork

5 AATTB. This fifth TrTrTTB Fantasy is quite unlike the first four. It has a perky - even jolly! - first theme, which is squarely in Gmajor. It also has that crotchet-quaver-quaver rhythm typical of canzons. Admittedly it later moves into darker and misterioso Gminor territory, but it manages to pull itself together for a rather upbeat ending. There are no jazzy rhythms (not even a single crotchet triplet), and so I think that most players will find it easier than most of Steve'swork

Price: £8.00

Qty:

Ref: MHE20308

Fantasy 6 in 5 Parts

Marshall, Steve

5 AATTB. This fantasy is a rather intense fugal affair. The subject is quite long and angular, and the piece takes two minutes before each part has introduced it. The mood lightens in the middle section, before the subject returns, but a little less severely. Just in the very last bar the sun comes out with a surprising A major chord. Playing time is about 6 minutes.

5 AATTB. This fantasy is a rather intense fugal affair. The subject is quite long and angular, and the piece takes two minutes before each part has introduced it. The mood lightens in the middle section, before the subject returns, but a little less severely. Just in the very last bar the sun comes out with a surprising A major chord. Playing time is about 6 minutes.

Price: £8.00

Qty:

Ref: MHE30508

Fantasy 7 in 5 Parts

Marshall, Steve

5 AATTB. This fantasy is entirely in 5/4 time (well, 10/8 in the middle). Because most people find it very difficult to feel 5 in a bar, I thought I would give them a sporting chance by keeping the pulse quite slow and by using syncopations very sparingly. Playing time is about 5 minutes.

5 AATTB. This fantasy is entirely in 5/4 time (well, 10/8 in the middle). Because most people find it very difficult to feel 5 in a bar, I thought I would give them a sporting chance by keeping the pulse quite slow and by using syncopations very sparingly. Playing time is about 5 minutes.

Price: £8.00

Qty:

Ref: MHE20808

Fantasy 8 in 5 Parts

Marshall, Steve

5 AATTB.A rather sombre piece, despite occasional interruptions of the 4/4 time by sections of dance-like 9/8. Not difficult, but needs considerable control (and, of course, accurate tuning) to pull off well. Playing time is about 5 minutes

5 AATTB.A rather sombre piece, despite occasional interruptions of the 4/4 time by sections of dance-like 9/8. Not difficult, but needs considerable control (and, of course, accurate tuning) to pull off well. Playing time is about 5 minutes

Price: £8.00

Qty:

Ref: MHE10409

Fantasy No 9 in 5 parts

Marshall, Steve

5 AATTB. Steve says: 'This fantasy is brisk and, I hope, quite exciting. It has a rather unsettled feel throughout, as it shifts restlessly between adjacent chords (such as A/Bb and E/F). The piece is quite difficult, not because of short notes (of which there are few), but because of observing the constantly-changing accidentals, and because of the related problems of tuning. Playing time is about four minutes.'

5 AATTB. Steve says: 'This fantasy is brisk and, I hope, quite exciting. It has a rather unsettled feel throughout, as it shifts restlessly between adjacent chords (such as A/Bb and E/F). The piece is quite difficult, not because of short notes (of which there are few), but because of observing the constantly-changing accidentals, and because of the related problems of tuning. Playing time is about four minutes.'

Price: £8.00

Qty:

Ref: MHE10711

Fantasy No 10 in 5 parts

Marshall, Steve

5 AATTB. Steve says: 'Fantasy No 10 is, at under two minutes, by far the shortest so far in this series. Despite its brevity it goes through quite a variety of moods - sometimes bright and perky, and sometimes rather dark and brooding. The piece is fairly brisk, with some angular melodies and no shortage of accidentals. This all adds up to music that is quite difficult to play well, but I believe that you'll find it worth the effort!'

5 AATTB. Steve says: 'Fantasy No 10 is, at under two minutes, by far the shortest so far in this series. Despite its brevity it goes through quite a variety of moods - sometimes bright and perky, and sometimes rather dark and brooding. The piece is fairly brisk, with some angular melodies and no shortage of accidentals. This all adds up to music that is quite difficult to play well, but I believe that you'll find it worth the effort!'

Price: £8.00

Qty:

Ref: MHE10811

Fantasy No.11 (Canonic Fantasy)

Marshall, Steve

5 AATTB. Steve says: 'I have heard Helen Hooker remark more than once about canons in my work, and the groups she has been conducting do seem to enjoy the canon experience. I decided to take this experience to a whole new level, and this Fantasy does not merely begin with a canon, but its entire six-and-a-half minute span is a single strict canon, except for a short conclusion. The piece is dedicated to Helen, with thanks for the marvellous musicality she brings to bear when conducting my work.'

5 AATTB. Steve says: 'I have heard Helen Hooker remark more than once about canons in my work, and the groups she has been conducting do seem to enjoy the canon experience. I decided to take this experience to a whole new level, and this Fantasy does not merely begin with a canon, but its entire six-and-a-half minute span is a single strict canon, except for a short conclusion. The piece is dedicated to Helen, with thanks for the marvellous musicality she brings to bear when conducting my work.'

Price: £6.00

Qty:

Ref: MHE60813

Lord My God, I Call for Help by Day

Marshall, Steve

5 SATTB. A reasonably easy setting of Psalm 87. The piece unashamedly uses imitation in the style of a typical Renaissance motet, but equally unashamedly uses chords more familiar to fans of Vaughan Williams. Pleasant and interesting.

5 SATTB. A reasonably easy setting of Psalm 87. The piece unashamedly uses imitation in the style of a typical Renaissance motet, but equally unashamedly uses chords more familiar to fans of Vaughan Williams. Pleasant and interesting.

Price: £6.00

Qty:

Ref: MHE61203

Wandsworth Swing

Marshall, Steve

5 SATTB. Encouraged by the success of Two Blues Canzonettas (MHE 30703), Steve wrote another - this time with swung quavers.

5 SATTB. Encouraged by the success of Two Blues Canzonettas (MHE 30703), Steve wrote another - this time with swung quavers.

Price: £5.00

Qty:

Ref: MHE10105

Major Pipework Tango

Marshall, Steve

5 B+SATB. Fairly easy music once the tango rhythms are perfected, and a sure-fire winner with audiences. If the solo part is played on a contrabass, the lucky owner has a very unusual 'feature' piece.

5 B+SATB. Fairly easy music once the tango rhythms are perfected, and a sure-fire winner with audiences. If the solo part is played on a contrabass, the lucky owner has a very unusual 'feature' piece.

Price: £6.00

Qty:

Ref: MHE20403

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